Tag: Library of Congress

The Library of Congress to screen The 78 Project Movie, and a new acetate from Louis Michot, Corey Ledet & Ashlee Michot

The Library of Congress will host a screening of The 78 Project Movie and live recording event as part of its Botkin Lecture Series.

On September 5th a great dream of ours will come true as we screen The 78 Project Movie and cut a record live at the Library of Congress. Over the two years since we began working on the film, we’ve had the privilege to visit the Library’s American Folklife Center in Washington, DC and its Packard Campus for Audio-Visual Conservation in Culpeper, VA, where we were shown Alan Lomax’s Presto, his correspondence and actual acetate recordings, and given a glimpse into the work the truly amazing folks at the Library do to preserve America’s musical treasures. We’re honored to be able to return to the Library’s historic halls to present our film and to use our Presto to record a 78.

The 78 Project: Documenting Historic Sound in the Contemporary World Botkin Lecture & Screening of The 78 Project Movie
The Library of Congress
Friday, September 5th 2:00 – 4:30pm
Mumford Room, 6th Floor, James Madison Building
Independence Avenue, between 1st and 2nd Streets Washington, DC

 

Louis Michot told us that what he loved about French music was that everyone playing was driving the same rhythm and the same melody together at the same time. A community of song.  We had driven to the Michot family home in Arnaudville, LA last August, and in the course of a hot and happy afternoon, recorded Louis with his wife Ashlee and their friend and musical collaborator Corey Ledet for The 78 Project Movie. The trio cut a 78 of the traditional Cajun dance-ending song “’Trape mon chapeau,” fiddle, accordion and guitar working together the whole way through to forge a powerful, cohesive feeling into the song.  Compelling imaginary dancers to crowd together on the floor and enjoy the last joyful moments of the party.

A Clip From The 78 Project Movie: Inside the Vault at the Library of Congress

The 78 Project movie we’re making will be filled with entirely new performances and the history that ties them to the momentous recordings of the past. The recordings that have inspired us and filled us with emotion – Lead Belly, Woody Guthrie, Jean Ritchie, Jelly Roll Morton, the high lonesome sounds from the mountains of Kentucky, the hard-driving determined voices of prisoners on a work line – they still exist! And not only are the 78rpm discs that contain them very real, but so are the details that surround their creation. On visits to the Library of Congress in Washington, DC we have seen hand-written letters from Muddy Waters and Lead Belly, we have seen the sleeves and boxes that contain the scribbled notes on some of the greatest field recordings ever made, the Library is a place where the great musicians who shaped American music can all sit together side-by-side.

We wanted to bring you there with our movie, so that you could see some of these amazing stories with your own eyes. We stopped in to visit the Library during our first road trip, and our good friend and wonderful advisor Todd Harvey led us into the mysterious downstairs vaults. Watch your head going into the video clip below, there’s a low clearance on that vault ceiling.

There is still a way to support our film fund! You can be a part of this movie by donating here. We will put your name in the credits, and thank you during every step of the making, as we shoot more incredible footage and continue this journey to experience our shared musical legacy!

Donate to The 78 Project Feature Film

Curators, Collectors and Carolina Banjo: The 78 Project makes it to Dixie

Has it only been a week since we left DC?  Our minds have recalibrated to the rhythm of the road.  And since we’ve come to expect at least one new place and a hundred new experiences with each new day, this trip has started to feel like it has always been our life. In a good way.

Last Thursday we were lucky enough to spend the whole day with Todd Harvey at the Library of Congress.  Todd curates the Library’s Alan Lomax Archives, and every time we visit he shows us fascinating pieces of this really comprehensive collection of recordings, correspondence, technology and stories from the life’s work of the great field recordist.  This time the highlight was a letter Lomax had written to a teenage Muddy Waters (known then as McKinley Morganfield) encouraging him to keep in practice!

Friday we drove clear across Virginia, from Alexandria to just past Charlottesville, where we had been invited for a visit with the exceptional 78 collector and producer Christopher King. He kindly shared with us some amazing recordings from Albania, Greece and the Polish mountains, took a stab at finding some Death Gospel in his collection (Washington Phillips) and played for us the record that has captivated our minds since we first heard about it: Geeshie Wiley. Chris and his family made us feel so right at home in their beautiful house, telling us wild family stories about removing snakes from in the ceiling with his grandfather’s hatchet.  And he was game enough to make a recording on our Presto of a family story with a twist that left our jaws on his kitchen floor.

WATCH: Chris plays us one of his favorite 78s

Fried Green Tomatoes

Saturday we completed our traversing of Virginia, stopping at a farmers market in Lynchburg for one last sampling of the state’s local fare. We picked up some twangy apples and some grapes we were told the raccoons love, then we hit the local diner for some homemade pimento cheese and some Eggs Virginia, which if you haven’t had it, get it soon.

Next stop was a Banjo Symposium put on by the Southern Folklife Collection at the University of North Carolina in Chapel Hill.  What an amazing day, especially for Alex, who is himself a banjo enthusiast. The assembled group of scholars were some of the most knowledgeable about the instrument that exist, and we had the great pleasure to meet and hear Cecelia Conway, Stephen Wade, Dom Flemons and Laurent DuBois among others.  That night we got to see Dom, Tony Trischka, and Riley Baugus with Kirk Sutphin in concert performing classic and new banjo songs.  It was inspired.  And just to give you an idea of how inspired, Dom did the splits while playing the bones.

Sunday we celebrated with our lovely Chapel Hill host, Laura Broom, the banjo aficionado Phillips Saylor, and his cool, folklore-packin’ lady Chloey.

Monday afternoon, the Southern Folklife Collection curator Steve Weiss invited us in for a tour.  Among the discoveries was a banjo under debate, is it a Frank Prophet or a Clifford Glenn?  Steve showed us an amazing wax cylinder player that adjusts for warps and we found out what three tons of 78s looks like: the collection of Eugene Earle. Just a few pounds short of being too heavy for a semi to carry it from California, where Steve went to box it up and haul it out of Earle’s garage.

We had pressing business in Nashville, so we hit the road to tackle some of the eight hour drive that night.  We waylaid in Asheville and woke up early for a sunrise drive through the Appalachian Mountains.  Goodbye North Carolina, hello Tennessee!