Amy LaVere (Official Teaser)
Amy LaVere is no stranger to chilling tales told through song. We have seen her sing both classic and original murder ballads with a masterfully woeful cadence. So, when she passed through Harlem on a bright and cold December weekend, it was a perfect opportunity to capture an acetate.
Amy granted our wish, laying down a chilling portrait of “The Railroad Boy” and the unlucky girl he scorned. The teaser tells a tiny piece of the tale of a life ruined by a callous lover, the consequences are to come…
The 78 Project: The Mynabirds “Roses While I’m Living”
It seems like we started another life when we started The 78 Project. One filled with humbling challenges we couldn’t have ever imagined we’d face (a few swipes of a paintbrush and a tiny needle are all that stand between failure and success?) but also overflowing with momentum and awe.
And so it is fitting that The Mynabirds‘ episode should come first in the new year, 2012. The shoot was a celebration of our first week of filming for The 78 Project, and the spirit of the night was one of joy and gratitude. We gathered friends together in Brooklyn for a backyard party, dragged the piano outside and, after dark, The Mynabirds’ Laura Burhenn sang for us. Her song, Dock Boggs’ “Roses While I’m Living,” is about appreciating life while we live it and appreciating those we love while they are around to receive it.
We wish you a Happy New Year with joy and gratitude! We hope 2012 brings you excitement and comfort in equal measure. And we hope to see you in person, perhaps record you, but definitely share with you the indescribable beauty of sound captured the old fashioned way.
With deepest appreciation,
The 78 Project
With every acetate we cut, we’re understanding more and more how miraculous it is to be able to capture and replay sound. Portable and accessible recording devices changed the lives of Americans in the 1920s and 30s. And one of the most important reasons they did, was that machines like our PRESTOs changed the way that radio broadcasts were made.
Before TV (but long after broadsheets) most Americans got their news and entertainment from their radios. 1920s radio shows were a far cry from the phone-prank-laden shock jock-hosted sound effect parades you hear during drive time today. Back then every round of applause or word of warning had to be made in the studio in real time.
But radio broadcasters realized the possibilities of field recorders right away, and dove right in, using them to create all kinds of messages for delayed broadcast. These “air checks” would include intros and outros for popular radio programs, news reports, recurring features that required content from outside the station, political messages, public service messages and more. It was the birth of syndication. Just imagine the faint crackle of record spinning every time you hear Ryan Seacrest start the Top 40 countdown…we have PRESTO to thank.
LISTEN: Kentucky Governor A.B. Chandler for the reelection of Franklin Roosevelt in 1936
LISTEN: January 27, 1937 aircheck of WSM/Nashville’s coverage of the great Ohio River Flood
These clips are from the archives of WHAS, LKY Radio in Kentucky. Radio geeks can hear dozens more vintage air checks on their website.
Throughout history, we have always been captivated by the tales of tragedy, misfortune and triumph in the news. And it seems every era has one particular news story that comes to define it, or at least melds that generation in morbid fascination. At the turn of the 19th century, a young woman was strangled by her beloved and drowned in a river, and the story spread like wildfire via the news broadsheets that were written to be sung and widely circulated all throughout the 1800s. As “Omie Wise” was passed around the country and eventually down through the generations, the lyrics morphed and took on new life and death as the song came to be more about murder stories than about Omie herself. When it was their turn to sing “Omie Wise,” The Reverend John DeLore and Kara Suzanne chose to recount a news story from our own lifetime, a tale so brutal and complex that it continues to be unshakeable.
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To make a foil for poor Omie, Kara and John put poor John Doe on their Flipside, singing The Reverend’s original song “Wounded Knee.” We’ve mentioned before that recording with the PRESTOs can be a fraught experience, but the skips left in this acetate that we encountered while digitizing it seem to add to the charm of the song.
After listening, if you would like to further appreciate the beauty of the lyrics, a link is included below the acetate player to hear the version of “Wounded Knee” recorded for The Reverend John DeLore’s album Ode to an American Urn.
The 78 Project: The Reverend John DeLore and Kara Suzanne “Omie Wise”
The tragic tale of Omie Wise has traveled the generations for more than two hundred years. Murdered rather than married by her beloved and thrown into a river, Omie is a warning to beware the wolf in disguise. In the back of a cozy local saloon in Brooklyn, the afternoon light worked its way through the window and The Reverend John DeLore and Kara Suzanne settled in to recount the chilling tale of Omie Wise’s murder. But true to the folk tradition, the duo added their own personal spin to the story.
Buy the music on iTunes.
The Flipside: The Reverend John DeLore and Kara Suzanne “Wounded Knee”
Kara and John had another tale to tell once Omie was conjured and put to rest. And their mesmerizing voices and guitars had the assembled historians and barkeeps transfixed. So we flipped the record, and they sang The Reverend’s own beautiful song “Wounded Knee” for a new feature of The 78 Project called The Flipside.
Special thanks to the High Horse Saloon and Salon in Williamsburg, Brooklyn for their generosity.
The 78 Project: Dawn Landes “The Brown Girl”
Under the sweltering late-summer sun, a small crew of filmmakers and audio historians capture Dawn Landes as she sings “The Brown Girl”. Cicadas drone, buses huff to a stop, bees hover lazily, sunflowers loom, and as the acetate spins, a song is carefully carved into its surface.
An age old and brutal choice: to marry for love or money? In the first side of Dawn Landes’ haunting 78, “The Brown Girl,” the noble Thomas chooses a plain brown girl with a dowry over his beautiful but land-less true love Ellender. Story songs like this one – which travelled from Scotland to the Appalachians over three hundred years – were the primetime dramas of the pre-television era. So the verses swiftly build into an epic, bloody tale with a twist. You can stream Side A of Dawn’s acetate here.
Buy the music on iTunes.
Special thanks to The Brooklyn Botanic Garden, and the farmers of the Children’s Garden who kindly harvested around us.
An age old and brutal choice: to marry for love or money? In the first side of Dawn Landes’ haunting 78, “The Brown Girl,” the noble Thomas chooses a plain brown girl with a dowry over his beautiful but land-less true love Ellender. Story songs like this one – which traveled from Scotland to the Appalachians over three hundred years – were the primetime dramas of the pre-television era. So the verses swiftly build into an epic, bloody tale with a twist. You’ll have to flip the record to find out how it ends…
Buy it on iTunes.
The shiny black surfaces of our blank acetates are mesmerizing. It’s easy to get stuck staring into one fresh out of the box. Fact is, though, as stunning and profound as the acetate is, it’s only skin deep. The core of these records is solid aluminum.
If you set the tension on the PRESTO’s cutting head incorrectly, you run the risk of your needle slicing straight through the acetate layer and hitting the aluminum core. Not only will the recording become unusable, but you will also waste your (expensive) needle.
During World War I & II, aluminum was essential for building airplanes, ships and weapons. This demand for raw elemental resources came at the height of PRESTO popularity, when the demand for recordings of American folk culture was also starting to take hold. So the PRESTO company offered an incentive program for broadcast companies and recording studios that were dealing with huge quantities of lacquer discs. The company would pay $.15 per used disc when they were returned in bulk. While it kept the company out of competition with the government over aluminum, this offer also led to the destruction of thousands of recordings from the 1940s.
But you can’t make airplanes out of glass.