It was a mild day for December in New York, but it was winter nonetheless. And there was a quickness in our steps as we walked with Amy through the windy Harlem streets, to get the blood moving, to stay warm. Murder ballads are in Amy’s blood, she was raised on country songs filled with agony and ardor, and she poured that lifetime of woeful narratives into the deep blackness of the acetate.
“The Railroad Boy” is often sung as “The Butcher Boy”, and while the story is always chilling – a scorned young girl meets a sorrowful death – it can be for different reasons. “The Butcher Boy” sometimes lives up to the imagery its title evokes, ending with the boy murdering his lover, a variation Amy speculates may have spawned from a misinterpretation of the line “He took his knife and he cut her down.” In Amy’s version of “The Railroad Boy,” as in most of the song’s incarnations, the line refers to her father releasing her from the rope she has used to take her own life.
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It’s no surprise when Amy reveals that her favorite song ever is “Thin Line Between Love and Hate,” a crooned warning that your lover could kill you if you wrong them. Her flipside, “Red Banks,” like many of the songs she records and performs, depicts acts of passion that more often lead to the grave than to the altar.