The Storm Clouds Thin: Hear Adam Arcuragi’s 78

This past week we watched a storm devastate our city. We felt the weight of the sky bearing down on us, reminding us that in some ways we are powerless.  During the days after the winds died down, we spent almost all of our time feeling thankful that we had our lives and our loved ones, despite what was lost.

It was a reminder that the ways we feel and express our gratitude for life must be purposeful and can be grand.

We can gather in a place where the roof is high enough so that the weight of the world doesn’t sit directly on our heads and shoulders.  And we can fill that high ceiling with song to show that we have the power of grace to return to the sky.  As Adam Arcuragi did this past Spring in a chapel in Harlem when we met him there to record.  His message of gratitude for life gives a perfect sense of calm in this week of uncertainty.

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A Clip from The 78 Project Movie: Tube Test at Leeds Radio

We like to say that The 78 Project bridges 100 years of technology.  And it’s true that in the course of shooting our movie the Presto has met and befriended many an iPhone.  It’s the simple beauty of the technology and design behind the Presto that invokes the fascination that drives The 78 Project…

Just past a bustling artisan market, behind a graffiti-ed gate on North 7th Street in Williamsburg, Brooklyn, lies a 2,500 square foot vacuum tube wonderland named Leeds Radio.  For the vintage amp and hi-fi fanatic, it’s a dream come true, and for those who simply appreciate weird science and beautiful design, it’s a fascinating place to spend an afternoon.

Leeds RadioThe keeper of this shop is Richard Matthews, a man who knows his tubes – each and every one of the more than 100,000 he has stashed on floor-to-ceiling shelves.  He also knows our tubes, because we bought them from him, and bring them back periodically for him to test.  Our Presto relies on Richard’s sage knowledge of vacuum tubes to run its best, we just like to shoot the breeze with him and to pick his brain about technology.

On an unseasonably hot Saturday a few weeks ago, Richard pulled open the gate and invited us in with our camera to talk about Prestos, Tesla coils, radios and every topic in between, and to give our tubes a good going-over before our next road trip begins…

 

Episode #12 of The 78 Project: The Wandering “Glory, Glory”

There are things that the Presto seems to know inherently, surprising and wonderful things that pop out of our recordings when we play them back. The tapping of a foot on a floorboard, the chirping of a bird filtered through glass, the high praise-pitch of a fife brightly bouncing down a dark alley.

The Wandering assembled late one May night on the concrete behind Joe’s Pub in New York to play the classic gospel “Glory, Glory,” the five members of the Memphis group carefully shuffling themselves around to mix the sounds. Luther Dickinson, Valerie June, Shannon McNally and Amy LaVere each found their place, and the voices and instruments mixed beautifully as it all came together. Everywhere Shardé Thomas stood, however, the Presto seemed to hear her fife particularly. It’s the fife that her grandfather, the great Othar Turner, made with his own hands. And it was almost as if the Presto knew that sound, like the voice of an old friend carrying across a room.

It reminded us that the fife and the Presto both had lives before we were born, have a history we can only imagine, might have known each other in another life as contemporaries.

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A Clip From The 78 Project Movie: Inside the Vault at the Library of Congress

The 78 Project movie we’re making will be filled with entirely new performances and the history that ties them to the momentous recordings of the past. The recordings that have inspired us and filled us with emotion – Lead Belly, Woody Guthrie, Jean Ritchie, Jelly Roll Morton, the high lonesome sounds from the mountains of Kentucky, the hard-driving determined voices of prisoners on a work line – they still exist! And not only are the 78rpm discs that contain them very real, but so are the details that surround their creation. On visits to the Library of Congress in Washington, DC we have seen hand-written letters from Muddy Waters and Lead Belly, we have seen the sleeves and boxes that contain the scribbled notes on some of the greatest field recordings ever made, the Library is a place where the great musicians who shaped American music can all sit together side-by-side.

We wanted to bring you there with our movie, so that you could see some of these amazing stories with your own eyes. We stopped in to visit the Library during our first road trip, and our good friend and wonderful advisor Todd Harvey led us into the mysterious downstairs vaults. Watch your head going into the video clip below, there’s a low clearance on that vault ceiling.

There is still a way to support our film fund! You can be a part of this movie by donating here. We will put your name in the credits, and thank you during every step of the making, as we shoot more incredible footage and continue this journey to experience our shared musical legacy!

Donate to The 78 Project Feature Film

In the Homestretch: The final week of our Kickstarter

This month of connecting with our friends, family and fans to fund our movie has been wonderful.  We feel so energized by everyone’s support!

Our Kickstarter campaign to fund The 78 Project Feature Film ends Friday, October 5. We can finish strong with your help!

These next few days are your last chance to contribute to our movie fund.  We’d love to have you be a part of this journey! Please go to our Kickstarter campaign page and read a little bit more about our fundraising efforts and plans for finishing the film. And donate if you can!

This movie has already exceeded our expectations, and we still have more shooting ahead!  We compiled this video for our Kickstarter, made of moments from the The 78 Project web series, to give an idea of the kinds of experiences we will be finding as we shoot the film.  Take a look, and if you like what we’re doing, please join in and help us continue.

So many amazing things have happened this month as a result of this community-driven funding campaign.

We had the opportunity to post four great new tracks from our adventure  as updates in our campaign.  You can hear Arborea‘s “Red Bird,” Ella Mae Bowen‘s flipside song “Heart Locked Out,” Timmy Mislock performing “Satan, Your Kingdom Must Come Down,” and Star & Micey‘s flipside “Rocky Song.”

Plus we’ve gotten wonderful press. Over the last two weeks our project and our Kickstarter campaign were featured in The Village Voice, USA Today’s PopCandy blog and The Awl.

Thank you truly and deeply for watching and listening and supporting The 78 Project!

Episode #11 of The 78 Project: Joe Henry & Lisa Hannigan “Red River Valley”

Sometimes there is a feeling of knowing a place well, though you’ve never been. We instantly felt at home in the apartment, though none of us had set foot there before.  It was a beautiful, sunny loft in Soho that felt filled to its 20-foot ceilings with Spring.  In the street below bike bells cha-chinged and jackhammers clanged.  We set up while Joe and Lisa rehearsed with the windows wide open, knowing we’d have to close them for a clean recording, but in no hurry to stop the breeze from carrying the city up and in.

The “Red River Valley” of Joe and Lisa’s song fills us with comfort, though it’s not a place any of us have ever called home.  Joe traveled from California, Lisa from Ireland.  New York, where we all met that morning, falls right in the middle.  And the song became the familiar meeting point between their two voices.  Harmonies sung in a living room, where a family meets every day, sound like home.  Wherever that may be.


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The Flipside: Lisa Hannigan & Joe Henry “Little Bird”

Because they were in the midst of touring together, Joe and Lisa had one of her songs already in their minds and fingers, ready to play for the Flipside of their 78.  It came from an album of Lisa’s that Joe had produced, and it was clear from the wild focus of their duet performance of “Little Bird” that they had developed a deep relationship with the song together. The breath was swept out of the room from the moment they began.  Even the street construction found itself struck silent by the command of their singing.

In My Dreaming: Hear Valerie June’s 78

As summer drifts away in a shimmery breeze, it’s hard to remember what it felt like to be truly cold in the winter months.  But listening back to the recordings we made in February with Valerie June we were instantly reminded of the chillness in the air that made the warmth in her performance so especially lovely.

Valerie chose “Happy or Lonesome” to pay tribute to a performer from the past who might just be her namesake.  But as she sang her long-distance longing with such a hopeful tone, we had to wonder if she had Memphis on her mind, too.

Valerie is effervescent when she plays a happy song, so buoyant and free that it fills you with a heady happiness to hear her. For her flipside she chose a love song, “Raindance” – maybe to offset the murder ballad she’d done earlier in honor of Valentines Day – but definitely to bring a little light to the dark winter evening.

Red Ants and Rainstorms, Fathers and Sons: The 78 Project in Memphis

Tropical rainstorms were turning the streets of Memphis into rivers, but inside the Hi Tone we were safe and sound, tucked in and battened down to make an acetate with John Paul Keith. We thought for sure some of the raging rain would make it onto John Paul’s rendition of “The Knoxville Girl,” but when we played it back, it was as pure and sweet and clear as a brutal murder song can be, a testament to John Paul’s skills as a singer and a scholar of music.

Driving around Memphis, we saw the effects of Hurricane Isaac in downed trees and sodden grass, but everyone seemed in great spirits.  It was a holiday weekend, and everyone was manning a BBQ and humming a tune, in their element as Memphians.  Our host for the week was our dear friend Ward of Archer Records, and he showed us infinite generosity, trading us his breakfast table (we turned it into our base of Memphis operations) for a couple mornings worth of Stumptown and some good conversation.

We were eager to see Luther Dickinson in his home state of Mississippi, after having such a wonderful time recording with him and his Memphis supergroup The Wandering in New York back in May.  He led us down to Hernando, to the DeSoto County Museum to make a recording on the porch in the shimmery heat of the afternoon. Luther played a mean streak through “Mississippi Boll Weevil Blues” and the floorboards creaked to his time.  You can’t tell a bluesman not to stomp his foot, however, and that’s all we’ll say about that for now.

Tuesday was a marathon day with three recordings planned.  We faced it bravely, rising early to take over St. Mary’s Cathedral for the morning with Star & Micey with Jeremy Stanfill.  The vaulted ceilings of a spectacular church showed the Presto more reverb than it had encountered in it’s wildest tube dreams (do Prestos dream of reverb-filled rooms?) and Josh, Nick, Geoff and Jeremy melted their voices together in lovely harmony.

The afternoon brought us back to Mississippi, this time to Hunter’s Chapel in Como.  The chapel is filled with the history of Mississippi music – Mississippi Fred McDowell and Othar Turner both attended and McDowell recorded there in 1964 – and the Reverend John Wilkins lives that musical legacy with his gospel blues singing and his devotion to the people of his church.  We had been told that the Reverend plays the hill country blues in the way of his father, the renowned singing Reverend Robert Wilkins.  And when we heard him, we saw that it was breathtakingly true.  He invited us in and made us feel at home in his chapel, then played for us “I Want Jesus to Walk With Me” and “Jesus Will Fix It.” His rich voice and skilled finger-picking cast a transcendent spell over the room, and when he heard his record played back, his father’s voice echoed out from the lacquer.

WATCH: Reverend John Wilkins performs “I Want Jesus to Walk with Me”

We promised to return for a Sunday service, and bid Reverend Wilkins farewell.  Red ants from the Mississippi ground stowed away in our shoes as we drove back for Memphis.  We had one more record to make that day.

Scott Bomar had invited us to join him and members of his band The Bo-Keys with Percy Wiggins at Molly Fontaine.  Six musicians was the largest group we’d ever attempted to work around one mic, but we were excited for the challenge.  Drums, upright bass, trumpet, sax, electric guitar and Percy’s powerful voice all found a space in a single groove, and afterwards we felt sure that the band’s version of “Deep River” would become the definitive one.

We couldn’t have wished for a more wonderful recording to make on our final day in Memphis.  Wednesday afternoon we had a visit from Sid Selvidge and his son Steve Selvidge.  They brought their guitars out and Sid unpacked some fascinating and laugh-out-loud stories from his lifelong search for songs and his great appreciation of his fellow musicians. He also unpacked a jaunty performance of the Frank Stokes song “I Got Mine.”  Sid recently found his voice had deepened, and he was very interested to hear it recorded on 78.  Every ounce of what makes him a folk scene hero was there in the record, and there was no denying that the family musical bonds between Sid and Steve are as strong as a double-wound steel string, their playing danced and joined together in joyful, rascally song.

Earlier in the week, to record with Luther, we’d taken the scenic route down through North Mississippi. Afterwards we’d felt so full of the place that we decided to continue on south for a while before heading back up to Memphis.  So as the sun set, we hit the road for Clarksdale, getting there as night fell in a fluttering cloud of insects and ghosts.  We visited the Crossroads, as you must, and drove into the deep darkness of the unpaved roads around the city to find a drink and some more history.  We returned to Memphis late in the night, coated in humidity and dotted with insect roadkill and possessed with a feeling that time had compressed to bring the past and future together at once. It summed up our time there in a nutshell, as Memphis and the region around it is a place that defies time.

Leaving Memphis wasn’t easy after the generosity the place had shown us, but we needed to make tracks for home.  As we crossed Tennessee, long spidery blasts of lightning crossed the sky and rain plowed down on us.  We felt honored that the state went to such great lengths to keep us inside it’s borders. But the cement and 6-lanes between us and home were calling, and we were excited to get back to start playing these amazing records and films for you.

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